“They didn’t really sell singles for soundtracks,” Dergarabedian said. In the time of “The Big Chill,” or a little later, “The Bodyguard,” if audiences fell in love with a film’s soundtrack they would have to buy the album. “Nowadays people can just find that one song they loved and cherry pick.”
BABY DRIVER SOUNDTRACK LISTING MOVIE
“I would put it in my top five movie soundtracks of all time, but it may not be up there in terms of sales. “The music is so integral to the movie and its entire through-line,” Dergarabedian said. One reason is the way people buy and listen to music now.ĭon’t miss: ‘Wonder Woman’ passes ‘Mamma Mia!’ as highest-grossing film by female director All of the top six soundtracks sold at least 10 million albums.Īs much of a hit as “Baby Driver” and its music has been so far, however, it isn’t likely to land among the best-sold soundtracks. The second best is “Saturday Night Fever” with 15 million units, followed by “Purple Rain,” which sold 13 million units. The best-selling soundtrack of all time, according to numbers from 2016, is Whitney Houston’s “The Bodyguard.” It sold 17 million units. As audiences fall for the music Wright curated for the film, it will be interesting to track the popularity and success of the soundtrack. The soundtrack, released on CD, vinyl and digital platforms such as Apple Music The film has already pulled in $9 million in box office receipts. The film is expected to pull in a $20.5 million return on its $34.0 million production budget in its opening weekend, according to estimates from analysts at Box Office. “The idea that started it all off was: Maybe a getaway driver is listening to this song, and he’s actually trying to time out his getaways and literally have the perfect score for the perfect score.” “I would listen to that song and imagine this car chase,” he told Variety. And in a conversation with the publication, Wright said the Jon Spencer Blues Explosion song “Bellbottoms,” which kicks off the 27-song soundtrack and first heist of the film, inspired the idea for the film.Ĭheck out: The Tupac movie illustrates why biopics about musicians can be difficultĪlso see: Hollywood is running out of hit ’80s movies to reboot Variety aptly called it a music nerd’s dream. The soundtrack is the baseline to “Baby Driver” and what prompted the film.
BABY DRIVER SOUNDTRACK LISTING FULL
Baby has tinnitus, so he’s constantly listening to music to drown out the hum. Featuring the likes of Queen, The Beach Boys, Commodores and of course, Simon & Garfunkel, here is the full soundtrack details to make your perfect Baby Driver playlist: The John Spencer Blues Explosion - Bellbottoms Heard when Buddy, Darling and Griff are robbing the bank. Sealed, brand new copy Award-winning producer and artist, Danger Mouse is at the helm of the. The film stars Ansel Elgort as Baby, a young getaway driver with a talent for flair, even in tasks as simple as making sandwiches. Buy Baby Driver OST Soundtrack Vinyl in Singapore,Singapore.
Rex's "Debora" next to Beck's "Debra," letting Googie Rene's dancefloor groover "Smokey Joe's La La" glide into the Beach Boys' "Let's Go Away for Awhile," and switching gears from Brenda Holloway's "Every Little Bit Hurts" into Blur's frenetic "Intermission." From its song selection to its sequencing, Baby Driver is a tour de force of record geekdom and one hell of a good time.“Baby Driver” is a action crime thriller where music drives every action. Plus, the producers have fun with juxtapositions, placing T. Sometimes its sensibility seems a bit rooted in the swinging '90s - that's the era when mixing up easy listening exotica with Northern soul and obscure rock codified as enduringly hip - but the music here is good enough to obliterate any aesthetic objections. Baby Driver is anchored by a few crowd-pleasers from several different styles and decades - the Damned's "Neat Neat Neat" bounces up against the Commodores' "Easy," Queen's "Brighton Rock" rears its head, as does the Simon & Garfunkel song that provides the film with its title - but individual songs aren't the point of Baby Driver: what matters is the journey, and this swift race through soul, jazz, rock, and pop offers an incredible ride. Such a long running time allows the curators to flash their good taste and skills in crate digging. Fittingly, the film receives an expertly curated soundtrack - one that lasts an hour and 42 minutes, which is just ten minutes shorter than the film itself. The album is filled with more on-the-nose driving songs than this one (‘Race Car Ya-Yas,’ ‘Stickshifts and Safetybelts’), but this is the money singleand got the album platinum status. Music is an essential element of Edgar Wright's Baby Driver, a movie about a getaway driver who races away from crimes with his iPod pumping.
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